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"Moving through the settings of her life red rock canyons, aspen forests, mountains, and cities Jana Richman probes the depths of her internal landscape and asks how we can find stillness in our noisy world. In essays both personal and profoundly universal, Richman eschews quick and easy answers for quiet reflections on the questions: In a culture demanding that every voice be heard, how do we make sense of the resulting roar? Where do we seek solace when the last quiet places are sacrificed to human hubris? How do we shed the angst thrust upon us to create lives of peace? In these wide-ranging personal essays, Richman travels interior roads through fear, kindness, ignorance, darkness, wildness, compassion, solitude, loneliness, and more always asking how external geography informs our internal geography. From the monsoonal rains in the carved slot canyons of the Escalante to the eroticism of dirt on skin in a remote slice of the Grand Canyon; from the defiance of academic authority to the curled, arthritic fingers of her mother and grandmothers, Richman sinks into the realities that make us human and fallible and blessed. Inspired by masters of the traditional personal essay such as E.B. White and M.F.K. Fisher, Richman adds a unique, deeply intimate and often humorous voice to the concurrence of human experience. Like a desert stream, human meaning meanders before coming to rest. Richman's authentic voice illuminates the place where internal and external landscapes merge into meaning. Time with these genuine, inclusive pieces is time well spent"--Provided by publisher.
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The third volume of this major series opens with Fuller's decision in early 1842 to resign her post as editor of The Dial, after she realized she would never be paid for her work there. It closes with her in New York, having accepted Horace Greeley's invitation to work as a book reviewer for The Daily Tribune. Her position was nearly without precedent for a woman, and she wrote enthusiastically of her job that it provided "a more various view of life than any I ever before was in." She found herself in a larger world: the new tasks of daily journalism replaced the demands of The Dial, and a mass audience replaced her coterie of intellectual readers.These were prolific years for Fuller, during which she wrote on a wide variety of subjects, and the letters chronicle her progress on a number of projects, among them her travel book, Summer on the Lakes, in 1843, which grew out of a trip to the Midwest; her translation of Bettina von Arnim's Die Günderode; and her essays on contemporary poetry, fiction, and drama. She devoted the fall of 1844 to expanding "The Great Lawsuit," an essay she had written for The Dial; the letters document how the piece grew to become her most important book-Woman in the Nineteenth Century, a provocative study of woman's role in American life.
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